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Monica Tap: Paintings



January 1, 2004
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Tap's large-scale canvases set up compelling dualities: historical/contemporary, abstract/representational and original/referential. While not a landscape painter, her work concerns itself with the history and convention of landscape painting. She manipulates the lines of her own drawings as well as those of other artists — often seventeenth-century Dutch and Flemish artists — until she creates an abstract composting of history. Two essays examine the language of painting in the microscopic detail of Tap's own work.

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